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Brushwork and poetry – the great awakening of Venetian painting around 1500.

In the Venice of the Renaissance, master artists like Bellini, Giorgione, Palma Vecchio and Titian explored the essence of mankind and nature and their relationship to each other with an unprecedented intensity. This attractive volume shows through important portraits and landscape representations the pioneering innovations of Venetian painting, which continued to leave their mark right up to the modern age.

The painting of the city on the lagoon captivates us not only through the wealth of colours and the nuances of the light, but also through the exceptional sensitivity with which the artists focused on their works. They created sophisticated portraits, seductive idealised likenesses and history paintings whose principal character is the atmospheric landscape. The publication examines the masterpieces in depth with regard to their remarkable innovative strength, the context in which they were produced, and contemporary interpretations.

About the Author:

Andreas Schumacher is the Director of Collections at the Alte Pinakothek in Munich.

The most thorough Caspar David Friedrich retrospective in many years, published to mark the 250th anniversary of the artist's birth

Caspar David Friedrich (1774–1840) is renowned as the Romantic painter par excellence, his works icons of an age of major social upheaval. His landscape paintings and drawings broke with traditional patterns of representation, and paved new ways of both experiencing and reflecting on the ambivalent relationship between humankind and nature.

Accompanying the most comprehensive Friedrich retrospective in many years, this catalogue re-examines the artist’s groundbreaking work in light of the urgent challenges in a time of climate crisis and postcolonial reflection. It centres on more than sixty paintings, among them many major iconic works, and about 100 drawings. Selected works by Friedrich’s colleagues, notably August Heinrich, Georg Friedrich Kersting, Ernst Ferdinand Oehme and Johann Alexander Thiele are also featured. The second part of the book focuses on the contemporary reception of his work. In contributions ranging from video and photography to installations, some twenty artists working across a variety of genres and media explore the Romantic era, its attitude to nature and the art of Caspar David Friedrich. The participants include Alex Grein, Swaantje Güntzel, Jochen Hein, Johanna Karlsson, Hiroyuki Masuyama, Loudmila Milanova, Mariele Neudecker, Ulrike Rosenbach, Susan Schuppli, Santeri Tuori and Kehinde Wiley.

About the Authors:

Markus Bertsch is Head of the 19th-Century Collection at Hamburger Kunsthalle. Johannes Grave is Professor of Modern Art History with a focus on European Romanticism at the University of Jena. He was awarded the Gottfried Wilhelm Leibniz-Preis in 2020 for his research on art in the early 1800s, early Renaissance painting and picture theory.

In line with best-selling The Louvre: All the Paintings, and Rizzoli's successful The Hermitage Collections and The Barnes Foundation: Masterworks, this title offers an exquisite tour, unique in its lavish illustration, scholarship, extent, and graceful packaging.

As the first large survey published in 30 years, and the first large general survey of the Met's paintings collection it is the first to celebrate the greatest and most iconic paintings of one of the largest, most important, and most beloved museums in the world. This impressive book’s broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution.

Lavish color illustrations and details of 500 masterpieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa, and the Americas and the greatest European and North American masters.

This unprecedented book includes an introduction and illuminating texts about each artwork written by Kathryn Calley Galitz, whose experience as both a curator and educator at the Met makes her uniquely qualified.

European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renoir, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, and Warhol. For those wishing to experience the Met’s unparalleled collection or to study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.  Iconic works in the Met include: Sargent's Madame X, Velazquez Juan de Pareja, Brueghel The Harvesters, Van Gogh Cypresses; Rembrandt Aristotle and Bust of Homer; Pollock Autumn Rhythm; Emanuel Leutz George Washington Crossing the Delaware; El Greco View of Toledo; Caravaggio Musicians; Vermeer Young Woman with Water Pitcher; Monet Water Lilies; Picasso Seated Harlequin.

About the Authors:

A scholar, author, and lecturer specializing in European art, Kathryn Calley Galitz works at The Metropolitan Museum of Art, New York, where she has been both an educator and a curator of major international exhibitions. 

Thomas P. Campbell is the director and CEO of The Metropolitan Museum of Art.

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Пролистать книгу The Metropolitan Museum of Art: Masterpiece Paintings на сайте издательства.

This elegant paperback edition of the New York Times bestselling book The Louvre: All the Paintings showcases more than 3,000 paintings from the world's most popular museum.

The Louvre is the most famous museum in the world. With 8.5 million visitors every year, the Louvre houses and displays many of the most celebrated and important paintings of all time. Every painting on exhibit in the permanent collection, a total of 3,022 works in all, is included in this groundbreaking book.

Divided and organized into the four main painting collections of the museum— the Italian School, the Northern School, the Spanish School, and the French School — the book includes works by well-known masters like Giotto, Fra Angelico, Ghirlandaio, Botticelli, Leonardo, Raphael, Titian, Veronese, Caravaggio, Van Eyck, Breughel, Memling, Holbein, Van Dyck, Rembrandt, Vermeer, David, Delacroix, La Tour, Fragonard, Gericault, Ingres, Poussin, El Greco, Goya, Velasquez and many more. Four hundred of the most important paintings including the Mona Lisa and Liberty Leading the People, is given a deeper dive with commentary by art historians Anja Grebe and Vincent Pomarede.

Immerse yourself in the wonder and dazzling display of the Louvre without ever having to leave the comfort of your own home. Learn more about each artist and painting, and tour the realms of sensational masterpieces with this paperback edition.

Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume

The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.

About the Authors:

Introductory essay by Rebecca Morrill

Artist texts by James Cahill, Louisa Elderton, Elizabeth Fullerton, Orit Gat, Ferren Gipson, PL Henderson, Katy Hessel, Catalina Imizcoz, Louisa Lee, Henry Little, Helen Luckett, Kathleen Madden, Henry Martin, Tom Melick, Rebecca Morrill, Yates Norton, Cleo Roberts, Matthew Price, Gabrielle Schwartz, Robert Shane, Mitch Speed, David Trigg, Ellen Mara De Wachter

Let’s Get Abstract. Making sense of revolutionary new forms

The 20th century saw art go abstract. Where once clear certainties and indisputable forms prevailed, now anarchy seemed to reign supreme. Sensibilities diffused into strange new shapes, colors assumed new significance, lines abandoned literal meaning. Dive in and discover some of the most dynamic and progressive art of modernity.

Abstraction shook Western art to its core. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional representational imagery and characterized by allegories of emotion and sensation.

This radical artistic adventure established new artistic means, as much as narratives. Expression became characterized by shocking juxtapositions of color, light, and line. Artists abandoned the conventions of brush and easel and played with new materials and methods of artistic gesture: commercial paints and housepainter’s brushes, working on unstretched and unprimed canvases, moving the canvas to the floor, and applying paint with hands.

This essential introduction spans the international breadth, conceptual depth, and seismic impact of abstract art with a thorough survey not only of the big names such as Picasso, Klee, Kline, Rothko, and Pollock, but also lesser-known figures who made equally significant contributions, including Antoni Tàpies, K. O. Götz, Ad Reinhardt, and Sophie Taeuber-Arp.

The author:

Dietmar Elger studied art history, history, and literature at the University of Hamburg. In 1984/85, he was secretary of Gerhard Richter’s studio and between 1989 and 2006 curator for painting and sculpture at the Sprengel Museum, Hanover. He has organized numerous exhibitions on modern and contemporary art and has directed the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden since 2006. For TASCHEN he has authored the volumes Expressionism, Dadaism, and Abstract Art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Hailed as the first American-born art movement to have worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning. 

Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and colour field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. 

The movement favoured large-scale canvases and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.

About the series:

Each book in TASCHEN's Basic Genre series features:

- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist
- approximately 100 colour illustrations with explanatory captions

Now available in a new edition, this lavishly illustrated volume draws on the latest research to present an exciting new interpretation of Albrecht Dürer, both as a man and as an artist

Albrecht Durer’s prints and drawings have inspired hundreds of artists, both during his life and after his death. Yet his talent as a painter and colourist, and his enthusiasm for the scientific world have not been widely appreciated.

Durer’s influence was both international and intergenerational — indeed Picasso claimed to have been inspired by the 16th-century artist. Reproduced in stunning detail and including illustrations of Durer’s most famous prints and drawings, a catalog raisonne of his paintings, and biographical research, this book presents a Durer for the 21st century. Producing more self-portraits than any other artist of his day; mass marketing his best-selling prints; even inventing his own monogram logo; Albrecht Durer was commercially astute long before today’s generation of self-promoting and financially-savvy artists.

There are 55 extant Durer paintings, of which 17 are in dispute. Using scientific research, this book puts all arguments to bed resulting in the definitive catalog raisonne of the paintings. Drawing on in-depth research, this book reveals the truth behind Durer and his art.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including Art Nouveau, Art Deco, Impressionism, and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

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Пролистать книгу Albrecht Durer: Catalogue of the Paintings

Alphonse Mucha is known largely for having originated Art Nouveau when his poster of the actress Sarah Bernhardt became a legendary icon of the movement.

Now available in a new edition, this gorgeous volume surveys the entire breadth of Alphonse Mucha’s work — from illustration and decorative arts to his photography and the historical paintings that were his life’s passion.

Alphonse Mucha went on to design hundreds of pieces in the decorative arts field but later distanced himself from the style he pioneered, devoting his time and energy to painting.

This book presents the full array of Mucha's artistic contributions not only his posters and jewellery designs but also his design for the pavilion of Bosnia and Herzegovina at the 1900 world fair.

The book also includes his works on canvas, which include pastels and frescoes, and his magnum opus, The Slavic Epic, a series of 20 paintings depicting the history of his native people.

A stunning selection of 500 colour illustrations is accompanied with essays that explore Mucha's style and inspirations, his transition away from the decorative arts, and his forays into photography. Fans of Art Nouveau will treasure this dazzling and unique study of the artist and his contributions to design and illustration.

Alphonse Mucha was an extraordinarily prolific and versatile artist who made his mark in the diverse fields of design – including posters, jewellery, interior decoration, theatre, packaging and product designs – as well as in painting, book illustration, sculpture and photography.

He is one of the best-known Czech artists to wide international audiences today and rose to international fame in fin-de- siècle Paris with his elegant designs for theatre posters for Sarah Bernhardt, the most famous French actress of the time, and decorative panels ( panneaux décoratifs ) featuring gracefully posed women. For those posters Mucha created a distinctive style – “le style Mucha” – characterised by harmonious compositions, sinuous forms, organic lines and a muted palette, which became synonymous with the newly emerging decorative style of the time – Art Nouveau. By the time of the Paris Exposition Universelle of 1900, Mucha had become a leading figure in this decorative art movement, who defined the look of the era.

The catalogue explores the development of Mucha’s career and overall achievements as a multifaceted and visionary artist. It is divided into six sections, highlighting Mucha’s personality as Bohemian; picture maker for people; cosmopolitan; mystic; patriot and philosopher.

About the Author:

Tomoko Sato studied History of Art and Architecture at the University of Reading, and Museology at the University of Manchester. Formerly Curator at the Barbican Art Gallery in London, she has been Curator of the Mucha Foundation since 2007. She has curated numerous exhibitions on Alphonse Mucha as well as on modern art, design, and photography.

Though very much an individual and spiritual artist, Alfonse Mucha was a defining figure of the Art Nouveau era and is loved for his distinctive lush style and images of beautiful women in arabesque poses among the plethora of paintings, posters, advertisements and designs he produced. Admire a whole range of his work here in its full glory with succinct accompanying text.

Accompanying a major retrospective of Anders Zorn’s work, this is the first volume in English to explore the Swedish Impressionist’s entire career in depth. Anders Zorn (1860–1920) is one of Sweden’s most accomplished and beloved artists. Renowned for his light, expressive watercolors, he attained mastery of the genre at an early age and later applied his techniques to oil painting. Zorn is often compared with the artists John Singer Sargent and Joaquín Sorolla y Bastida, contemporaries who also were known for their portraits of high-society figures. Taking up residence in London and then in Paris, Zorn established himself as an international portrait painter, depicting fashionable clients in a style both elegant and relaxed. He became a favorite among wealthy American collectors, bankers, and industrialists who sat for him, including art collector Isabella Stewart Gardner and three U.S. presidents. Although perhaps best known for his portraits, Zorn brought equal skill to painting genre scenes and views of nature. This handsome volume provides a thorough introduction to the artist and his works, from portraiture to landscapes and his famous nudes. Four illustrated essays are accompanied by a chronology, selected bibliography, an exhibition checklist, and an index.

About the Authors:

Johan Cederlund is director of the Zorn Museum in Mora, Sweden. Hans Henrik Brummer was director of the Zorn Museum from 1972 to 1989. He also served as a professor at UCLA and as director general for the National Museum of Fine Arts, Stockholm. Per Hedström is deputy director of collections at the National Museum of Fine Arts, Stockholm. James A. Ganz is curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco.

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Пролистать книгу Anders Zorn: Sweden's Master Painter

A prominent member of both the New Leipzig and Tacheles schools, Andreas Schiller is celebrated for ambitious work that explores symbolism and mass production in the computer age. His most recent book, Global Backup II, distills the essence of the two series that brought him wide acclaim: “Big Apple,” a collection of thousands of paintings of a single apple, and "Curiosities of the West,” which consists of iconic images presented in a repetitive pattern that renders them both absurd and banal.

Presenting recently rediscovered drawings, Life and Death explores what it means for an artist to picture their own death, in both the context of Wyeth’s late career and contemporary American art.

This volume presents for the first time a recently rediscovered series of pencil drawings from the early 1990s, through which Andrew Wyeth imagined his own funeral. Chapters by leading art historians explore the significance of picturing one’s own death in both the context of Wyeth’s late career and contemporary American art. The book connects the funeral series to Wyeth’s decades-long engagement with death as an artistic subject in painting, his relationships with the models depicted, and his use of drawing as an expressive and exploratory medium. It further inserts Wyeth’s work into a larger conversation about mortality and self-portraiture that developed in American art since the 1960s, and includes works by Duane Michals, Andy Warhol, David Wojnarowicz, George Tooker, Janaina Tschäpe and Mario Moore. While his contemporaries posed a variety of existential questions in picturing their own passing, those that interrogate the universality of death as a human experience have become especially urgent in the wake of the coronavirus pandemic and the national reckoning with racial inequality that emerged in 2020. Andrew Wyeth: Life and Death thus addresses ideas about loss, grief, vulnerability and (im)mortality that pervade the current moment.

The rich context behind one of Andrew Wyeth’s most beloved and mysterious late paintings.

Perhaps nowhere else is Andrew Wyeth’s highly distinctive style more palpable, or moving, than in Snow Hill. His masterful tempera painting of 1989 provides a visual and poetic summary of the Chadds Ford, Pennsylvania, residents who had provided artistic inspiration at key points in Wyeth’s career. With the figures depicted in a snowy landscape high above Kuerner Farm, a property of great personal significance to the painter, this enigmatic composition resonates with an elegiac air. Among Wyeth’s most popular works, Snow Hill in some ways encapsulates the spirit of his entire career. James H. Duff, a close acquaintance of the artist for more than three decades, invites an expansive reading of the work, including the wide-ranging art historical influences on this singular American artist.

Published in association with the Brandywine River Museum of Art, Chadds Ford, PA

About the Authors:

Thomas Padon is the James H. Duff Director of the Brandywine River Museum of Art, Chadds Ford, PA. 

James H. Duff is former executive director of the Brandywine Conservancy and Museum of Art